1 Let’s take a poll and
see if there are any overwhelming majorities. How would you classify yourself? (anonymous
– write on a piece of scrap paper - pick just one)
Herzog and de Meuron or
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Aranda\Lasch or
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Le Corbusier or
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OMA or
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Bruno Taut or
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Enric Miralles or
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Diller + Scofidio or
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Are the results a
product of the faculty/curriculum of this school, or mostly a personal choice?
Is your classification
the same as your favorite architects?
2 “Movements are usually defined as organized effort to achieve a common
goal” – Pineiro II
What are the current overarching
(or most exciting to you) movements of architectural practice? Do we expect
these to change in the next five years (or near future?) – Thinking about what
we will encounter as we enter the working world.
3 “The process of design and construction is characterized by constant
tactical adjustments made to the demands of clients, codes, consultants,
budgets, builders, and regulatory agencies, not to mention the complex
logistics of construction itself?” – Allen XI
Do any of these types
of demands worry you more than the others in studios or as you think about
entering practice?
4 “It is precisely when practice and experimentation turn up
inconsistencies in the “normal science” that new theories are produced” – Allen
XII
Which of the classifications
as presented by Pineiro best facilitate the balance of practice and experimentation
required to produce new theories?
5 “…doubt returns thought to openness before the world; it involves a
loss of control which places thought in a more vulnerable relation to the world
than before” – Allen XV
How much does doubt
weigh on your thoughts throughout the design process? Is it a tool or an
impediment? Is it more prevalent in the beginning (when choosing what the
project should be), at the end (when thinking about what the project could have
been), or some other time? (I’m thinking of doubt as “hard-headed” skepticism
here. Self-criticism, client desires, best approaches, etc…)
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