1. In regards to storyboard montages discussed in the
readings, are there any examples in architecture that you can think of? Or possibly a rhizomic level of thinking
created from these montages?
2. In the Storyboard
reading what are the differences that are discussed between the “stills”
section and the “the City.” They both
talk about a two sets of imagery in the frame that draws you in and another
that pulls you forward, are they different ideas being conveyed?
3. In regards to people
in storyboards how might we use people in our architectural renderings the way
that this reading describes it?
4. In regards to the storyboard, does there need to be an
existing narrative? (Example: the cat perspective
still is biased).
5. In regards to the
Storyboard narrative being conceived separately, yet imagined together, what
would be the difference to a series of postcards?
6. In the Vidler
reading when Elie Faure describes plastic art, how does this compare when
considering sheffauer’s argument against plastic art?
7. When considering
these two lines of argument which do you side with and why? Which would be more appropriate for use for
us in the realm of design?
8. In the storyboard
reading when talking about graphics, they describe artist’s sketches and how
they are faked. Do you agree with this
statement?
9. In the Vidler
reading, Shauffer talks about the “sixth sense of a man” as the 4th
dimension of the photographic cosmos. Can
you describe this and how this might manifest itself in the world of
architecture?
10. Looking at the
storyboard reading and the perspective section; if the reader is supposed to
form their own narrative, then when talking about perspective is it not already
written because they already picked a perspective or view point on the subject?
1 comment:
1. I feel that a fun house is as close to architecture, that a montage can get.
3. In renderings the use of interactive entourage is more compelling than a sillouette in a hallway.
4. I feel the beauty of a storyboard is the ability for a viewer to create his own narrative.
5. Am I right in thinking that a post card is a photograph, and not a storyboard?
6. Movement is considered by both.
7. I enjoy the thought of something being "smitten" into life.
8. The concepth of a faked sketch eludes me.
9. Toying with ones emotions through architecture is risky business, but I like it.
10. I feel that a one-point perspective would be much more suggestive than any other type, but still a viewer is left to focus and explore on their own.
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