1. Shields writes “a work of architecture contains accumulated history as it is lived and engaged rather than observed.” How as students are we able to convey a sense of history or engagement with a studio project? How can collaging aid this process?
2. Through your own projects what has collaging been most effective at conveying? Was this information easily comprehended by the audience?
3. On page 163 Corner states he is “struck by the range of types and forms of representation in comparison to the relatively small number of techniques used in the landscape, architectural, and planning arts.” Do you think this limit in representation is due to the field of our study?
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